As the one-stop shop for government jobs, USAJOBS.gov has roughly 30,000 vacancy announcements on the site at any given time. Navigating the website and understanding job listing information is half the battle. With a little help decoding all the government language used to describe the types of jobs that the government has available, you'll be well on your way.
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On the top of the FlexJobs list is the company Cactus, a global medical communications agency that began offering remote work opportunities in 2007. “We quickly realized that it is beneficial for everyone concerned,” says Daniel Rosario, AVP of editorial talent acquisition. “Job seekers now have a much wider variety of options and can focus on what they do best; the company, in turn, has access to an expanded talent pool; and our clients — mainly research scientists — are assured of having their documents edited or translated by the right expert.”
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It then flashes back to Reed College in 1974. Jobs had already dropped out due to the high expense of tuition, but was still attending classes with the approval of Dean Jack Dudman (James Woods) who took him under his wing. Jobs is particularly interested in a course on calligraphy. He meets up with his friend Daniel Kottke (Lukas Haas) who is excited to see that Jobs is holding a copy of Be Here Now by Baba Ram Dass. Influenced by this book and his experiences with LSD, Jobs and Kottke spend time in India.
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Robert X. Cringely, author of Accidental Empires and creator of the documentaries Triumph of the Nerds and Steve Jobs: The Lost Interview, argues that "the film is beautifully shot and Kutcher's portrayal of Jobs, while not spot-on, is pretty darned good. He certainly has the look down and the walk. But Ashton Kutcher also produced this film and he's definitely a better actor than producer. There are a lot of historical inaccuracies that just don't have to be there. ... The great failing of this film is the same failing as with Walter Isaacson's book: something happened during Steve's NeXT years (which occupy less than 60 seconds of this 122 minute film) that turned Jobs from a brat into a leader, but they don't bother to cover that." Mick LaSalle of the San Francisco Chronicle states that "at its best, it's a good picture, and at its worst, it's almost good." Peter Travers of Rolling Stone suggests that "Kutcher nails the genius and narcissism. It's a quietly dazzling performance" but also notes that "Jobs is a one-man show that needed to go for broke and doesn't. My guess is that Jobs would give it a swat." Contributor for rogerebert.com, Susan Wloszczyna, gave the movie 2/4 stars, saying that, "Rather than attempting a deeper plunge behind the whys and wherefores of the elite business-model gospel according to Apple Inc. guru Steve Jobs and – more importantly – what it says about our culture, the filmmakers follow the easy rise-fall-rise-again blueprint familiar to anyone who has seen an episode of VH1's Behind the Music." She further discusses how Kutcher's performance and the overall movie failed to portray Jobs in iconic manner that current pop culture suggests even after Jobs' passing. In a movie review for The New York Times, writer Manohla Dargis writes that Jobs was "inevitably unsatisfying" and a result of a poor performance of the filmmakers rather than the actors themselves.
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Mark Hulme, our producer, had an expert team of researchers to comb through all public records and interviews that had anything to do with Steve Jobs. Mark, the screenwriter and the research team, also took it upon themselves to interview quite a large pool of people who either worked at Apple or worked with Steve to make sure we portrayed as accurate a portrait and telling of the events possible within the constraints of the film's length.
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This film lacked transition/fluidity and seemed choppy. Like the scene where we see him at his house with his family, the film never discussed that he came to have a wife and children. We only know that Lisa, his daughter, was from a previous relationship. And we learn that he tried to deny Lisa as his for a long time since the film focuses on it, but it never shows that he had a change of heart and accepted her as his child. Isn't a biopic supposed to teach us about a persons emotions, feelings about life, and his relationships with others?
E! Online said, "Critics have taken the film to task for a reach that falls far short of its ambition, marred by its superficial and unsatisfying portrait of an icon who deserved better." Forbes reported that the consensus among critics was "mixed positives for Kutcher's performance" and a "thumbs down for Joshua Michael Stern's film." On Rotten Tomatoes, the film holds a 28% rating, based on 130 reviews, with a weighted average of 4.9/10. The website's critical consensus reads, "An ambitious but skin-deep portrait of an influential, complex figure, Jobs often has the feel of an over-sentimentalized made-for-TV biopic." Review aggregator Metacritic gave the film a score of 44 out of 100, based on 35 critics, indicating "mixed or average reviews".
Manual work seems to shorten one's lifespan. High rank (a higher position at the pecking order) has a positive effect. Professions that cause anxiety have a direct negative impact on health and lifespan. Some data is more complex to interpret due to the various reasons of long life expectancy; thus skilled professionals, employees with secure jobs and low anxiety occupants may live a long life for variant reasons. The more positive characteristics one's job is, the more likely he or she will have a longer lifespan. Gender, country, and actual (what statistics reveal, not what people believe) danger are also notable parameters.