In August 2012, production moved to New Delhi and Vrindavan in order to provide the setting for Jobs' 1974 trek to India. Locations include "Delhi's Jama Masjid, the Hauz Khas Complex, Safdarjung Tomb and Humayun's Tomb." Aseem Bajaj (Bandit Queen, Chameli, and Khoya Khoya Chand) served as cinematographer for scenes shot in India, though cinematographer Russell Carpenter went to India as well. Bajaj notes that they "shot guerrilla style in the crazy and mad by-lanes of Chandni Chowk in Old Delhi. We shot near the Red Fort and the famous Jama Masjid for two full days with multiple cameras spread across everywhere. Ashton stood frozen with the chaos staring right in his face which helped us capture what Steve Jobs must have felt on his visit to India."
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In an interview with Slashdot, Daniel Kottke states that he consulted on early versions of the screenplay and notes that "Ashton's very good. I have no complaints with him at all, no complaints with his portrayal of Jobs. The complaint that people would rightly have about the film is that it portrays Woz as not having the same vision as Steve Jobs, which is really unfair." He also said that the early versions of the screenplay "were painful. Really painful. I forwarded the first draft to Mike Markkula because they wanted his feedback, and Mike took such a bad reaction to it, he wouldn't have anything more to do with the project. By the time it got to the fourth draft, it was okay. It wasn't making me cringe." Kottke also outlines various areas that were both accurate and inaccurate in the film. Bill Fernandez was part of the same interview but states that he didn't see the film because "the whole thing is a work of fiction, and I don't want to be upset by all the things that the screenwriter has invented and don't represent the truth." Kottke responded that he didn't think of the film as fiction because "I was involved early on in the film, and they really, sincerely tried to make it as accurate as they could."
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In August 2013, before the wide release of the film, Kutcher responded to these critiques in a few interviews. In an interview with the Associated Press, Kutcher stated that: "Steve Wozniak is being paid by another company to support their Steve Jobs film. It's personal for him, but it's also business. We have to keep that in mind. He was also extremely unavailable to us when producing this film. He's a brilliant man and I respect his work, but he wasn't available to us as a resource, so his account isn't going to be our account because we don't know exactly what it was. We did the best job we could. Nobody really knows what happened in the rooms." He reiterated this point in an interview with The Hollywood Reporter by stating that Wozniak "is being paid by another movie studio to help support their Steve Jobs film, so he's gonna have an opinion that is connected to that, somewhat." Wozniak responded to Kutcher's comments as well as to the film itself on Gizmodo by stating that "either film would have paid me to consult, but the Jobs one already had a script written. I can't take that creative leadership from someone else. And I was turned off by the Jobs script. But I still hoped for a great movie." He also believed several individuals portrayed in the film were inaccurately and/or unfairly portrayed including himself and Steve Jobs. Wozniak reiterated these points in an interview with Bloomberg Television adding that he is "really easy to get a hold of, [Kutcher] could have called me and consulted over the phone any time." The Verge noted that "Wozniak was in fact invited to consult on the film, but declined after reading the script, saying he and his wife were 'abhorred' by it. Wozniak was a consultant on Aaron Sorkin's 2015 Steve Jobs film. When asked why he did not at least correct the inaccuracies he saw, Wozniak said, 'I have a very busy life, and it came at a very busy time in my life.'"
The expression day job is often used for a job one works in order to make ends meet while performing low-paying (or non-paying) work in their preferred vocation. Archetypal examples of this are the woman who works as a waitress (her day job) while she tries to become an actress, and the professional athlete who works as a laborer in the off season because he is currently only able to make the roster of a semi-professional team.